Posts Tagged ‘Crocheting’

Interview with Stacey Trock

// October 10th, 2012 // Comments Off // Blog, Book Reviews, Crochet, Knitting, Needlearts, Stich, Felt, Tuesday Shmoozeday

Do you love crochet? Do you love stuffed animals?

Embrace your inner child and check out Crocheted Softies by Stacey Trock.

 

Yesterday I had the opportunity to talk with Stacey live during my show 12 Questions with Martiel about her book, creativity and life as an artist. You can watch the entire video anytime online, just click to go!

 Stacey was also gracious to share some free stuff with us during the show. Visit her site for all the goodies and explore on your own or check out the list below for an itemized list.

Free Downloads from Stacey Trock

Email Stacey with your Pattern Questions

Visit Stacey’s Website, http://www.freshstitches.com/

Like the critters from the book, try these out!

 

I’d like to thank Stacey for taking the time to visit with me during this live interview. We had a great time and I hope you enjoy learning about her book and what makes her stay creative.

See you next month for another author interview!

Martiel~

 

 

Coming Next Month!

Join me for my show 12 Questions with Martiel during Tuesday Schmoozeday on Nov. 13, 2012 for an interview with author Lisa Solomon of “Knot, Thread, Stitch”. We are going to have an interview and a DEMO.

Crochet Jewelry by Sophie Britten- book review

// February 16th, 2012 // Comments Off // Blog, Crochet

I’ve never crocheted jewelry before, so I was excited to get my hands on a copy of Crochet Jewelry: 35 Fantastic Pieces of Jewelry to Make & Wear! Guilty confession: I’ve never even crocheted with beads before!


Overview of the Book

Just from my first flick through the book, I knew I’d like Crochet Jewelry. It’s not just a collection of patterns- it’s a book with a hefty introduction that teaches you the basics of crocheting and wire-working, followed by 35 beautiful patterns.

The crochet instructions are comprehensive enough that you could crochet the projects in the book without ever crocheting before… although crochet experience is no doubt helpful!

There are also introductory sections on wire and beading, which I (as a crocheter) found very helpful. By reading these sections, I was able to get an understanding of the materials so that I felt comfortable making substitutions in the projects.

The Patterns

The patterns in this book range from ‘very easy’ to ‘intermediate’. Someone with previous crochet experience, and a little patience with beads could complete any of the projects in the book.

The projects are quite varied: earrings, necklaces and bracelets, made by crocheting with wire, crocheting with textured yarns, adding beads and every combination thereof. So, even if you can’t find wire locally (or it just hurts your hands), there’s something for you.

Each pattern comes with a detailed materials listing and a description of special techniques used in that project.

The patterns are also supplemented with photos of any tricky spots in the project.

My Project

You know I love doing a project from the books I review! I tackled the ‘Amethyst and Bead Necklace’, a great project for a beginner. It uses only chain stitches, with seed beads and non-seed beads applied along the chain. Here’s how it turned out:

What do you think? I couldn’t find the same gauge wire (in fact, all the store had was black wire… teach me to go shopping on the third day of a huge sale!), and I preferred the pretty blue teardrop beads to the Amethyst chips used in the pattern.

But, I love the look! And I think that’s what’s great about the patterns in this book… change the bead colors, and it’s like you have a whole new piece!

Pros and Cons

I really like this book, and would happily recommend it to anyone interested in getting started crocheting jewelry. I think it’s appropriate for crochet novices as well as those with crochet experience, but new to beading/wirework. I like the book because:

  • There is a great variety of projects.
  • The introduction is packed with information that applies to crochet and jewelry-making in general.
  • The book uses photos of tricky steps (over illustrations), so I knew what I was supposed to be doing!

I don’t have a lot to complain about, but there were a couple of (minor) downsides:

  • Exact numbers of bead amounts required wasn’t specified. Each pattern called for ‘one tube of beads’ and ‘one reel of wire’… even though they require less than the entire tube/reel. Therefore, it’s difficult to plan multiple projects: do you need 5 tubes of beads, or could you do 5 projects with 2 tubes total?
  • I wouldn’t wear all of the projects… and this was a complaint that I read in Amazon reviews of the book. But, let’s be honest- isn’t that always true of books? Have you ever seen a book where you’re going to actually make every item? I’m planning on making 3 of the projects in this book (and a few others I could make as gifts), so it’s worth the price of the book to me!

So, if you’re interested in starting crocheting jewelry, check out Crochet Jewelry- I think you’ll like it!

Book Review: Knitted Beaded Jewelry: How to Make 16 Stylish Projects by Ruth Herring

// February 8th, 2012 // 3 Comments » // Art Jewelry, Beads, & Glass, Book Reviews, Knitting

 

Click the book to purchase this title from the publisher.

First I have to say that it is with some trepidation that I approached this book as I am not a knitter. In fact, my experience with knitting began and ended in the seventh grade with a horror of a home economics teacher that told my mother at the end of the year that it was her first year teaching and that it would be her last because of me.

Yeah.

Not a good experience for either of us, lol. Between my refusal to hold knitting needles properly (I’m left-handed although they tried to fix that) and my use of butter knives to weigh down patterns when cutting them out ( which I still do and totally had to laugh when someone came out with commercial weights for the same purpose) we didn’t see eye to eye.

38 years later I was giving the size 3 knitting needles the fish-eye in my kitchen but no one grows without getting past their prejudices so I plunged in.

The instructions in the book are clear and I actually found that with the little fragments of what I recalled I was able to cast on and get going fairly quickly. I did have to refer to some video tutorials on you tube because, as I’ve said, I’m left-handed. There are some wonderful free video tuts for getting started with left-handed knitting and I was stitching away in no time.

However, understanding the basics and applying them are two different things. I stitched merrily away and soon ended up with what looked like bad fishnets because I was dropping stitches all over the place. I need practice.

Since I am what I consider a knitting newbie I would say that you could learn to knit with the instructions in this book. I have, although I’ve switched over to sock yarn. I am still using the size three needles. I like little tools.

So, although the sterling silver cuff bracelet pictured is based on the patterns in this book I have to admit I cheated – it’s crocheted.

 

The wire is 28 gauge sterling silver and the beads are Magatama beads by Miyuki in three different colorways. Magatamas are wonderful. Think tiny raindrop shaped beads with wonderful shine. The clasp is a slider and is also sterling silver that I found several years ago at my local bead shop and was perfect for this project. See? You really do use the stuff from your stash. :)

There are four patterns in the book that utilize yarn and the rest are wire based. While I used 28 gauge and am happy with the results the recommended gauge for this pattern was 32. I do plan to experiment with some color wire and even C-lon and waxed irish linen as time permits. I’m a fiber junkie and this is a fun departure from micro macrame, weaving, and stringing.

The book starts out with sections dedicated to descriptions of various bead types, tools, and materials. From there it moves into a section with excellent step by step pictures on how to cast on, knit, purl, finish off and various basic stitch patterns. The properties of certain patterns (i.e. – stockinettes tendency to roll and exploiting this property in jewelry design) are discussed. There are numerous patterns for bracelets, necklaces, and earrings and for the more advanced a sweet little bag made with Aran cotton yarn.

I have enjoyed working with this book and I think you will too. Especially if you are a knitter you really should experiment with wire and jewelry making. I think an accomplished knitter well versed in the variety of patterns out there could get the basics of working with wire from this book and create some exquisite pieces. The possibilities are endless!

 

Until next time, happy crafting!

Astrid

Let's go shopping!

 

 

Book Review: Tapestry Bead Crochet by Ann Benson and FREE miser bag drawing!

// November 15th, 2011 // 2 Comments » // Blog, Book Reviews, Crochet

You can purchase this book from the publisher:  http://www.larkcrafts.com/bookstore/?isbn=9781600593376

I admit defeat.

I really wanted to do this.  Really.  I was lusting after this little coin purse which is one of the early projects in the book:

And lest you think I am some sort of thread crochet slouch (and to give you an idea of difficulty level) I do know my way around thread crochet.  Here is a down and dirty picture of a filet crochet miser purse I just finished.

 

FREE!  If you will leave a comment on this post and make sure to leave your email address so I can contact you I will send you this miser purse (after it’s been blocked of course)!

Drawing will be held on this Saturday, September 19, 2011.  Winner will be announced here and via email.

It hasn’t been blocked yet so it’s not perfect but as you can see from the two pictures below the strings leading up to the bone ring interlock with the two sides of the crochet and through the flap so that when you pull on the bone ring the cords pull the closure tightly shut and no coins, etc., can escape.  It’s a victorian era crochet design as is tapestry bead crochet.  So yeah, I know my way around  a crochet needle and victorian patterns.  I entered into this with my usual tenacious “No problem, I can do anything” mentality.  I was saying on a lampworking forum where I hang out today that my best quality is tenacity, that I’m like a dog with a bone.  It’s rare for me to throw in the towel but I really had no choice here.

For your giggling enjoyment, here is my sample of tapestry bead crochet, LOL:

The author says in the instructions that the initial crochet chain will curl and should be ironed so that when you join to make your circle you won’t have to fight with the thread.  I ironed.  I say even IF you iron as soon as you start to crochet it begins to curl again (as you can see) and boy, does it curl.  I took the photo after I uncurled it.  Then there is the fact that you have to string the beads on (you can see that on the left side of the photo) in sections of five or so rows at a time in the order they will be crocheted to form the pattern AND you must string on both sides of the project so really you are stringing on 10 rows at a time.  Each row has 142 beads x 5 = 710 beads to string on.

But wait, there’s more.

As hard as this is to get started you will have at least 5 sections like this (restart 5 times, ugh!) to complete and then you have to sew them together to form the carryall.

My hats off to Ann Benson and all the victorian ladies back in the day because I have to say IMHO this is crazymaking.

I restarted 5 times and finally gave up last night in disgust, mostly with myself because I could not only not master this, I couldn’t even get a good running start.

So what’s the problem?

I think, for me at least, it’s the thread.  These projects call for #12 crochet thread, not the easiest animal on the planet to locate in the first place and certainly not something I will ever crochet with again because of the curly factor.  OTOH, I love to embroider and I think this thread would be lovely for that.  Waste not, want not.

I may, at some future point, revisit the concepts here with size 10 (bedspread weight) crochet cotton which understands me and is my friend. :)

The book itself with the accompanying DVD are wonderfully made, the photos are clear and beautiful, the instructions are concise and well laid out.  If you don’t understand how to proceed you can view the DVD and it will become immediately clear.

So….

Excellent publication with excellent instruction, graphs, layout, and video assistance.  It’s not that I don’t understand how to do bead tapestry crochet, I just can’t.

You mileage certainly may and probably will vary.

Until next time!

Astrid

Interview with Kristen Rask of Plush You! and Schmancy Toys

// November 3rd, 2011 // Comments Off // Blog, Crochet, Sewing

I’m super excited to have Kristen Rask on the blog today for an interview that will give us all a little insight into the world of plush! Kristen is the author of Plush You! (an adorable guide to sewing plush creations) and has just released Yummy Crochet! Besides writing, Kristen runs a storefront called Schmancy Toys, exhibits her own work at shows across the country and curates the exhibition Plush You! There’s nothing she doesn’t do!

You have what sounds like the coolest job in the world: you run a toy shop full of awesome handmade toys, you sew awesome plushies, and you write about how to sew kick-butt plushies. How did this all get started? What came first: your own sewing business, or running the shop?

I have been making stuff for years. I have been vending at craft shows and selling my wares for about 18 years now so making started before Schmancy. I was making stuff and started selling to a store called Fancy, we became friends and then the store front opened up next to her. I decided to give it a go and three days later I had a lease. I have been kinda winging it since. Although I’m a lot more organized now than I was in the middle. At the beginning you are so hyper aware of everything and then you become really overwhelmed. Now I’m pretty organized and next I hope to be better at prioritizing. I am really good at saying yes to everything and I need to be less busy. But I do have a great job!

You’re not only the author of a great sewing book (Plush You!), but also the editor of two crochet amigurumi book: Creature Crochet and Yummy Crochet! How did you get involved in the crochet world?

I don’t know if I am considered the editor but maybe the curator of those books. I also have a book called Button and Stitch. I learned to knit years ago and then decided I needed more instant gratification so I took up crochet. Because I work with so many amazing plush makers/amigurumi makers, I was asked to do Creature Crochet and then it sold so well they asked me to do another one. Yummy Crochet recently came out and can be found at Barnes & Noble.

In your experience, is there an overlap in the crafting community between those who design patterns for plush and those who make plush for sale? Or are they separate groups? As someone who both designs and produces, do you find you spend time doing one more than the other?

I would say I work primarily with those who design and sell. So it’s all one and the same to me. Sadly with my shop and other projects, I don’t personally have much time for making anymore. I tend to stick to producing stuff for a few craft shows a year. I rarely even sell my work in my shop! Sad.

You also are the curator for the awesome (and now totally famous) Plush You! exhibition. Tell me a bit about the show.

Famous eh? Well thank you! The show has evolved and changed over the years. It was been showcased in a few other galleries in SF and LA. This year, the show was only in Schmancy. It opened up this [October 14th]. I had a few hundred apply but Schmancy is pretty small so I could only host about 65 artists. People apply in Feb. and then I jury and the show is ALWAYS the second Friday in October. I will slowly be putting the pieces still for sale online and then a lot of them end up finding new homes for the holiday season. There are some amazing pieces. I’ll be putting up more on my flickr soon but you can see some pics on my Twitter.

Applications for next year will open up most likely in Feb. Anyone interested should sign up for my mailing list so you don’ t miss the application deadline!

As the curator, you’ve probably seen everything! Do you have any submission tips for newbie plush makers? Any common mistakes in submissions that make you thwak your forehead? And what makes a submission really jump out at you and win you over?

As for applying, like anything you apply for that requires photo submissions, I say photos are key! Your work may be really wonderful in person but I can only judge by a photo so good photos are EVERYTHING! For Plush You! I feel like the work is of such high quality that you don’t want to confuse me or my buyers. Sewing should be really spot on, the work should be unique with your own voice. I kinda feel like I’m on an episode of Project Runway but you really gotta wow me. hahahaha!

You (busy, girl you!) also just exhibited at Crafty Bastards… the totally spectacular craft show held in DC every year. (I’m a DC-native… so of course, it’s one of my faves!) Can you give us a little insight into how you prep for the show? How is it different from selling your creations in a store or online?

Yes, Crafty Bastards is a great show! So well organized, I really hand it to them. I am one of the organizers of Seattle’s largest indie craft show, Urban Craft Uprising, so I know how much work it is! I work about 3 months in advance to get ready for a show because I don’t have as much time to really bang stuff out. I tend to write a projected goal, how much money I want to make in the most ideal world, then I double that amount in product. There is some math involved and I’m not very good at math. But it helps to have goals. Then I work backwards. When I’m not “feeling it” I’ll make stuff that I could make with my eyes closed and then when I have bursts of creative energy, I’ll try some new idea. I love craft shows so I hope my life always has room for them! It’s like one big crafty reunion!

Any advice to crafters who want to turn toy-making into a full time job? Is it harder or easier than you thought it would be? Anything you wish you’d known when you started?

I have a store and another job and tons of projects so I am not sure how it works to be a maker and live off of that solely. I know people do it and I really envy them. I think my advice for all of it is to say yes a lot in the beginning, just to get yourself out there. Then scale down and pick and choose what makes the most sense for you and your priorities.

Thank you so much for joining us, Kristen!

If you’re in the Seatle area, you can check out Kristen’s work at Urban Craft Uprising on Dec. 3rd and 4th. And of course, pop by her shop, Schmancy Toys (even if you’re not in the area, Schmancy has an online store, so we can all visit!)

AUSTENtatious Crochet: book review and author interview!

// October 27th, 2011 // Comments Off // Blog, Book Reviews, Crochet

I have a confession. When I received a copy of Austentatious Crochet to review, I was nervous… I’ve never read Jane Austen! I was worried that I wouldn’t ‘get’ the designs, not being a fiction-reading sort. My fears were assuaged when I opened the book: the designs are beautiful, modern and very tempting for a crocheter- even a non-Jane Austen fan like me!

The Review

Two things instantly struck me as I opened the book. One, this is a big book! It’s over 200 pages long, and is jam-packed with patterns (it contains 36, which is a lot for books these days!). Two, there’s a great variety of projects! I had expected mostly garments, but this book contains patterns for garments, accessories, home accessories (there’s a throw rug I have in my queue), children’s clothes, and even nighttime wear.

As part of the review process, I like to make something from the book. I crocheted the Regency Hat, an adorable newsboy hat with a crocheted flower and leaves. The hat’s adorable (of course) and the designing is very creative… taking advantage of techniques that I’ve rarely used. (although, as with all patterns, be sure to check the errata before starting… typos happen, and you don’t want them to slow you down!)

What’s an example of the creative techniques used? In the Recency Hat, the pattern instructs you to work a bulky yarn on a small hook for a stiff fabric that stands on its own (I was SO relieved to not have to cut cardboard to insert in the brim like some patterns require!), which I think is a wonderful idea. The pattern also makes use of Tambour Crochet (a technique that was popular in Jane Austen’s time) to create a lovely vein pattern along the leaf. Even though the pattern wasn’t difficult, I learned new techniques (and yes, even a bit about Jane Austen!).

I was delighted by the attention to detail that was put into each pattern (all 36 of them). Every pattern contains:

  • a website address, so you can go online and view a video of the stitch used in the pattern.
  • a description of the special stitches at the front, which is very handy.
  • row by row instructions that are well-written.

In addition to the patterns, the book contains:

  • wonderful quizzes and facts about Jane Austen’s books… something I’m sure any Austen fan will appreciate.
  • an ‘Essentials’ section, so that if you’re unsure about your standard stitches, you can still get back on track.
  • stitch patterns that are both charted and written line-by-line, so you can read the pattern in whichever method you prefer.

I would definitely recommend this book to any crocheter who has command of the basic crochet stitches, and is looking for some lovely clothing and accessory projects. And of course, if you’re an Austen fan, then you’ll love all of the added quizes and facts. Personally, I was thrilled to learn new stitch patterns and techniques… and I think I’ll be making more projects from this book!

Interview with Melissa Horozewski

Congratulations on a fabulous book! It has lots of beautiful patterns, and the book itself is lovely. A little bird told me that you weren’t just the designer, but the production manager for the book. Tell me a bit more about all of the different hats you wore while making the book.

I wore so many hats during Austentatious that my home could of well been mistaken for a millinery! But seriously, from the beginning I had a very strong artistic vision for Austentatious Crochet and Running Press recognized and appreciated that. I was contracted to be the production manager, so in addition to the regular designer tasks of selecting yarn, making the designs and writing the patterns and the book (which in this one included little fictional vignettes, facts & trivia, etc.), I also interviewed various photographers, chose models, scouted locations, hired a make-up and hair stylist, and selected coordinating clothing and accessories and props to go with the designs. There were a lot of logistics – scheduling was very difficult, especially when you hire a busy (but good!) photographer. Do the days she’s available coordinate with the days the models I want are available and then are the locations available those days? It was incredibly demanding but I don’t think of I would of wanted it any other way as the end result was a book that is everything I visualized to be at proposal. It was a great growing experience for me.

How long were you working on the book, after all of the designs were done?

I had 7 and a half months from the time the contracts were signed until I had to hand in everything and that included the photos. I lost a month because I was diagnosed with a liver issue and so the next six were a whirlwind. Because it was such a large project with such a small window of time, I really had to be multitasking the entire time. We photographed half the designs in August as we needed to take advantage of the beautiful gardens before the flowers died and the foliage turned brown which is very early here in Wisconsin. September ushered in fall which was ideal as it provided another backdrop for the book. From the very beginning I was purchasing coordinating accessories and props to go with what I was making, looking at model portfolios, etc. And on days when I needed some time away from the hook and book, I would take my family out and we would look for various locations that had the backdrop I was looking for. I was working on patterns and designs up to the night before we would shoot, so once production was done, I had relatively little to do but to select the photos to send off to Running Press, create all the stitch charts and edit the text before handing in the manuscript.

Do you have any funny stories/mishaps during the photo shoots?

Not outrageously funny… more like mortifying. The day before our photo shoot, I saw that one of the selected models had recently bleached her hair! They didn’t bleach hair during Regency days so she was out and I was scrambling to find another experience model that had the right Austen who was also by chance available for the next day’s shooting.

The day of our outdoor shoot, the gardens had double booked a memorial service to be happening a few hours after we arrived (we had booked the location for all day). I had never felt so conspicuous in my life traipsing all around with this entire entourage and equipage while people were trying to have a time of remembrance. We tried to be as quiet as possible but it was really difficult.

Was managing the photographer easier or harder because you were the designer? Do you feel like being attuned to design details allowed you to bring out the best in the piece during the photos? Or, did knowing the pieces so well get in the way of the ‘setting’ of the shot?

Managing the photographer was interesting. Though I interviewed several photographers and selected the one that I felt had the best grasp of my vision (and would be the most helpful), we still were coming at the task from different perspectives. She only wanted to work with certain models (and Madison is a very small talent market so has limited selections to begin with) and I wanted models that had the Austen look I was going for. The photographer thought we should have an even more contemporary look to the book – such as throwing in a pair of jeans, but we didn’t have the time and money to try it out so I vetoed that and stuck with what styling I knew for sure would present the Austen look but be wearable today. That was the advantage of being the production manager, but it’s a fine line to walk when you have two artists putting their name on the project as well as a publishing company as well.

As far as design details, I knew what I wanted to highlight with each piece. The photographer was looking to achieve a beautiful picture. I wanted that, but also wanted to ensure design details were prominent. One of the obstacles is that you only have so much print space to work with and written patterns take up a lot of space, so one has to be selective about photos and views and while I know stitchers want to see designs from many angles, it was important to showcase the Austen theme. Therefore we always photographed a distance shot to anchor the design in the setting and then a few close-ups to focus on stitch detail or a particular design element if these were notable. We worked hard to marry artistically beautiful photographs with the design necessities and Running Press was very pleased with the end results. In fact, the Bridgeman Arts Library just ran a feature article on Austentatious Crochet for its use of illustrations, design and photography to represent Jane Austen’s wide popularity in today’s age. I couldn’t have asked for a better art director at Running Press than Corinda who beautifully laid out the book.

I do feel that knowing the design details, along with the story behind each design was critical. This book has a definite spin and had I shipped off all the designs to someone else, unless they knew Austen, her characters and the Regency period really well, (and I have been surprised during the creating of this book how few people know who Jane Austen is) I’m not sure it would of turned out the same. Designers often don’t get a say in how things are styled, so I am very fortunate to have been able to because often when I think of an idea for a design, I am already beginning to conceptualize who will wear it, what will it be worn with, etc… and I have that all figured out before I am even done stitching it. If a designer’s mind works like that, it only makes for a better end product if the publisher taps into that well spring of fashion artistry.

The houses photographed in the book are beautiful and very Austen-esque. Are any of them your home? Can you see an Austen-era design aesthetic in your daily surroundings?

I wish one of the them was mine! That would of made things so much easier. I had to scout around to find locations that had the look I wanted and it wasn’t easy. Very few locations I found acceptable wanted to put their guests or customers out even for a daily rental fee and acknowledgement in the book so I was often told no, but finally I found a beautiful inn owned by Trek Bike Corporation and an outdoor garden that had some of the features we wanted that were both willing to rent space to us.

Do I have an Austen aesthetic around me? Well, I don’t have a Victorian home or furnishings, but I do love lace work. However this is my husband’s home too so lace is allowed only in areas he doesn’t really pay attention to. But I do find inspiration through reading about past eras, and we live in the country and have a 1/2 mile long dirt drive way with fields on both sides. When I walk it, I am almost always transported to feeling like I live in the past or am walking between English meadows. I just purchased a very old fashioned bicycle with a basket just to deepen that connection.

What’s your favorite design from the book?

I am so very indecisive, to choose just one is hard – that’s why there ended up being so many projects in the book! The Felted Austen Cap is one of my favorites for sure. My daughter modeled that design in the book and now that fall is here she wears it every day.

I love that design so much that I think I want to design an adult version for myself and was just asked by a friend to write an adult sized pattern for her. But you must use the flecked Donegal wool. I have always liked to felt, but now I LOVE to felt as it creates such a depth like none other when you felt with a tweedy wool.

What design do you wear most often?

I love the All Buttoned Up Shawl and wear that in several different ways as much as I can as all the tiny buttons often draw comments from people. The Lace Mantelet is another favorite of mine. Now that fall has arrived I like to wear the floral cravat with my grey wool coat and I’m also a fan of wearing the cute cropped jackets with jeans and boots. But to be honest, my favorite design is always the next one. I get most excited about what I am making or about to make. Wearing it is an afterthought.

What’s next for you?

Professionally? I am trying to design a way to add about six more hours into my day! If anyone figures that out how to stitch up some extra hours please let me know. A second book is in the works. I also hope to do some more production work and styling. Overall though, I am just trying to determine what aspect of the crochet industry is the best fit for me.

Thank you so much, Melissa, for joining us! Be sure to check out Melissa’s website and grab a copy of Austentatious Crochet!

The Ultimate Crochet Hook Review

// October 14th, 2011 // 28 Comments » // Blog, Crochet

Welcome to my ultimate crochet hook review! There are so many crochet hooks available on the market… it can be really hard to choose one! In this post, I’m going to teach you some crochet hook anatomy, we’ll talk about how to pick a hook depending on your particular crochet style, and then I’ll review some popular hooks. Let’s get started!

Crochet hook anatomy

How well do you know your crochet hook? Before you can figure out which hook will work best for you, you’ve got to get to know the basic anatomy of the hook.

Here’s a diagram:

Hook terminology

  • Point: this is the part of the crochet hook that pokes into the stitch you’re crocheting into. The point can range from very pointy to rather dull (rounded). Sometimes called the ‘tip’.
  • Groove: The groove is the indentation that catches the yarn as you pull it through a stitch. Grooves can be either deep or shallow, although there’s no standard way to ‘measure’ the ‘groove depth’.
  • Throat: the throat is the part of the hook where the loop transitions from being caught in the groove to its resting place on the shaft. Throats can be either ‘inline’ or ‘tapered’. This is perhaps one of the most salient features of a hook, and the throat style is often described on the package.
  • Shaft: the shaft is the part of the hook that the loop rests on while you are crocheting. It is the part of the hook that determines the size of your stitches.
  • Thumb rest: this part is pretty self-explanatory! It’s an optional indentation that allows you to rest your thumb on the hook.
  • Handle: another self-explanatory part! The handle is the part of the hook that you’ll hold while crocheting. Handles are usually made from the same material as the rest of the hook, but some styles of hook feature ergonomic or comfort handles.

More hook differences

In addition to the points raised above (inline vs. tapered throat, pointy vs. rounded point, etc.), hooks can differ in many other ways. Hooks can be made in many different materials (metal and bamboo are 2 of the most common), of course, come in different sizes and those sizes can be printed on the hook in different ways (ranging from ‘not at all’ to ‘laser inscribed’).

Want to know what all of these differences mean to you and your quest for the perfect hook? Keep reading!

Hook anatomy in action

So, now you know the terminology associated with hook anatomy, and have a rough idea of ways in which hooks can differ… but what do all these differences look like in action? What’s the difference between a pointy and a rounded point? Let’s find out!

Points


The point of a hook makes a big difference to the way you crochet. A pointier point allows you to stick your hook into the next stitch much more easily than a rounded point, but comes at the risk of splitting your yarn. If you’re using a splitty yarn, then a rounder point is advisable.

Grooves


The groove is what catches your yarn as you pull it through the loop you’re working on. If the groove is too shallow, you’ll lose your yarn. If it’s too deep, it may get in the way of your crocheting rhythm. You may find that, as you become more experienced, your preference for groove depth changes.

Throats


An inline throat means that the width of the throat is the same all the way down the hook. This style helps some crocheters keep a more even gauge (especially for those who tend to crochet tightly). A tapered hook is much smaller at the top compared to where the throat meets the shaft.

Shafts


The shaft of the hook is what determines the size of your stitches. Since it’s job is to produce an even-sized stitch, most hooks have a straight shaft. However, occasionally, you’ll find a hook with a tapered shaft, and you’ll need to practice to make sure your gauge is spot on.

Thumb rests


A hook may or may not have a thumb rest. For some crocheters, a thumb rest is a convenient place to put your thumb and a way to maneuver the hook. For others, it just gets in the way. Whether or not you need one depends on your crocheting style.

Handles


The handle doesn’t need to be made from the same material as the hook. Many hooks have handles that are just an extension of the hook (or are ‘plain). Other hooks have comfort or ergonomic handles for your crocheting comfort. A ‘comfort handle’ is bigger than a plain one, and easier to grip. An ‘ergonomic handle’ is specifically shaped to rest in your hand for maximum comfort.

Picking the hook that’s right for you

There’s no such thing as the perfect crochet hook. There may be a perfect hook for you, but not all hooks work for all people.

Finding the right hook for you takes some trial and error, but you can narrow down your search by paying attention to your crochet habits. Here’s a little quiz that will help you out:

Do you roll your hook? When you’re crocheting, do you roll the handle around in your hand? Or do you like to keep your thumb firmly planted? If you’re a roll-er, then you’d do best with a hook without a thumb rest.

pictured: Susan Bates Bamboo Handle

Hooks to try: ChiaoGoo Bamboo, Addi Bamboo, Addi Comfort Grip, Clover Takumi, Etimo Cushion Grip.

Do you crochet tightly? If you tend to crochet very tightly, a hook with a tapered throat will probably only make the problem worse (as you’re tempted to pull the yarn tightly around the thinner parts of the throat). Try a hook with an inline throat.

Hooks to try: Susan Bates (all models), any hook made from Bamboo (because of the way tapered hooks thin at the top, most wooden/bamboo hooks feature inline throats for strength).

Are you always splitting your yarn? If so, you probably need a hook with a rounder (rather than pointier) tip.

Hooks to try: HiyaHiya, Addi Comfort Grip, Susan Bates (Bamboo, Quicksilver and Aluminum), Kollage Square Hook, Addi Swing, ChiaoGoo Bamboo Handle.

Do you find it difficult to insert your hook into the next stitch? Then you’re a candidate for a pointy crochet hook!

pictured: ChiaoGoo Premium Bamboo hook

Hooks to try: Almost any wooden/bamboo crochet hook sports a pointy tip, including: Addi Bamboo, ChiaoGoo Bamboo, Clover Takumi, Brittany

Do you toss your hooks into one bag and then forget what size they are? You need a hook that has the hook size permanently etched/carved into the hook. Otherwise, you’ll be stuck pulling out your gauge every time you need to crochet!

Hooks to try: Addi Comfort Grip (color-coded handles), Susan Bates (raised lettering on all models), ChiaoGoo (sizes laser-etched into all models), Boye (raised lettering on all models)

Have you broken your fair share of hooks? You’ll need one that’s super strong. There are a few varieties to try. Metal hooks are very difficult to break. Plastic hooks are flexible, so bend and are slow to break.

Hooks to try: Any metal or acrylic hook. If you love bamboo, try ChiaoGoo, which is made from Chinese Moso bamboo, which is supposed to be the strongest bamboo around.

Do you find it hard to ‘catch’ your yarn while crocheting? A hook with a deep groove may be just the answer you’re looking for.

Hooks to try: Kollage Square hook, Susan Bates (all models).

Looking for something a little fancy? Do you make a statement with your hook? Then you’d probably love one with a decorative handle.

pictured: Furls handcarved hook

Hooks to try: Furls handcarved hook, Brittany.

Do your hands ache after too much crocheting? A handle with a comfort or ergonomic grip might help you out. A comfort grip is a handle that is bigger than a standard handle, and easier to hold. Ergonomic grips are curved to fit in the palm of your hand.

pictured: ChiaoGoo Comfort Grip

Hooks to try: Addi Swing, Addi Comfort Grip, Etimo Comfort Grip, ChiaoGoo Comfort Grip, Susan Bates Bamboo Handle, Kollage Square Hook.

Do you have arthritis? If you have arthritis, crocheting can be an achy task. You may find crocheting with an ergonomic or comfort grip (above) more comfortable. I’ve heard some folks with achy hands prefer plastic hooks (since they bend in your hand as you work) or wooden/bamboo hooks (because they’re warmer than metal) helpful.

Hooks to try: Susan Bates Crystalites, ChiaoGoo bamboo, Clover Takumi.

Do you have trouble seeing your stitches? If you need a lot of light to see well while crocheting, a light-up or glow-in-the-dark hook might come to your rescue!

Hooks to try: Susan Bates SmartGlo, Clover Crochet Lite.

Crochet hook reviews

As I said, there’s no such thing as a perfect hook. What works well for one person may be a disaster for someone with a different crocheting style. The best thing that I can do, as a reviewer, is tell you the pluses and pitfalls of various crochet hooks. What you end up loving is going to be dependent on your style!

There are oodles of crochet hooks on the market, and I didn’t have the time to review them all! And, to be honest with you, I’m not sure you’d be interested in reading all of them. I mean, lots of companies make a bamboo hook… and the differences between them are pretty minimal. So, in this review, I’ve focused on hooks that are different from the rest!

Addi Swing

The Addi Swing is the ‘most ergonomic’ hook that I’ve tried: it really is made to fit perfectly in the palm of your hand. It also has some flexibility (the actual handle is some type of plastic, without the metal hook penetrating into the handle), so it’s very comfortable on your hands.

And the hook is made from the same high-polished chrome as the Addi knitting needle (my personal favorite needle), making for low-friction and speedy crocheting.

Even though I love holding the hook, I don’t love actually crocheting with it. Perhaps my hands are too small? I can’t pin it down exactly, but something about the design of the hook forces my palm to be further from my thumb than I like it to be. Despite giving it a fair go, I just can’t get used to it.

Pluses: The handle is super-comfortable, the head is quick and the hooks are clearly labelled for size.

Pitfalls: Because the hook is made to fit the hand, it might not be perfect for everyone’s hand or crocheting style.

Verdict: Totally worth giving a try if your hands are a bit achy. Although, I might try to find a friend with one to test out before splurging.

Kollage Square Crochet Hook

The square handle was invented by Kollage… so it’s completely unique to the brand. The package claims that the hook decreases stress and strain, and is perfect for those who have arthritis or carpal tunnel syndrome.

I have the same general comment with this hook as the Addi… it feels fabulous! But, I have trouble crocheting with it. Maybe it’s me! The Kollage hook has the thumb rest 1″ lower than the Susan Bates or Addi Premium hooks, which for me, is just too far away. However, I think there are oodles of people out there who would love this hook.

Pluses: The handle is super-comfortable and isn’t as ‘hand-specific’ as other ergonomic hooks.

Pitfalls: The thumb rest is much lower than other hooks, which may require some adjustment for folks.

Verdict: Feels lovely, but like other ergonomic hooks on the ‘nice’ side, I’d try to touch one in person before committing.

Susan Bates Bamboo Handle

This hook sports the ‘standard’ Susan bates hook, with a bamboo handle below the thumb rest.

Because the handle is below the thumb rest, using this hook feels a lot like crocheting with a Standard Susan Bates hook. The advantage is a slightly bigger handle to hold on to.

Pluses: The bamboo handle may feel more comfortable for some crocheters.

Pitfalls: Since only the handle (below the thumb rest) is bamboo, the design may not be sufficiently ‘comforting’ enough for those with pain to experience relief.

Verdict: If you’re in love with Susan Bates hooks, and are looking for a step up, give this one a try.

ChiaoGoo Comfort Grip

This hook features a sleek metal head with an oval-shaped bamboo handle, laser-etched with the hook size information.

The bamboo on this hook is super-smooth… I just love touching it! The handle is also very comfortable: fits nicely in your hand without being over-shaped.

Pluses: The hook feels wonderful, and gives a nice handle for someone who wants to hold onto wood, but crochet with metal. Unlike other comfort hooks, the handle begins comparatively high up the shaft, making this hook comfortable for those with smaller hands.

Pitfalls: This hook is about 1/2″ shorter than other hooks, so it may not be comfortable for those with bigger hands.

Verdict: If you have arthritis (that’s helped by working with wood over metal), this hook and the Kollage are two hooks on the market that still allow you to crochet with the speed of a metal head. This hook may not be for you if you have larger hands, but see if you can try it out in person. This hook feels amazing to the touch.

Addi Comfort Grip

This hook features the same head as the Addi Swing (above), but with a much simpler handle. The handle is slightly thicker than normal hooks, and provides ridges for better grip.

The hook is marked only with ’5′ (it’s a 5.0mm size H hook), which might not be convenient for those who haven’t fully gotten the hang of the metric system. The handles, though, are also color-coded, which is useful for picking the right size out quickly from a whole assortment.

Pluses: This hook gives you a bit more to hold onto than a plain hook, and the ridges will be welcome to people who find metal hooks too slippery. (yes, one side-effect of crocheting too speedily is sweaty hands!)

Pitfalls: There isn’t much ‘comfort’ to this hook except that the handle is thicker than an average hook.

Verdict: If you find an average hook too skinny, this handle will be a welcome improvement for you. I’m not convinced it’s the best hook for those looking for comfort in the sense of ‘lessening aches in hands while crocheting’.

Furls hand-carved hook

This hand-carved hook is a fabulous piece of artistry. I can’t believe someone out there has the talent to make these… but obviously, the folks at Furls do!

The hook is absolutely beautiful, feels incredibly smooth and has a medium-pointy point. The shaft on the hook is tapered, which means that there isn’t a part of the hook that has a resting place for the stitches (perhaps there’s a centimeter where it isn’t tapered? It’s hard to tell.). This feature will probably make it difficult for many crocheters to obtain an even gauge… although maybe it just takes practice.

Pluses: This. hook. is. stunning.

Pitfalls: The tapered shaft is a sticky point. In practice, my loop slides way too far down the handle, giving me bigger stitches than I’d wanted.

Verdict: With practice, you could probably develop a rhythm that will give you even stitches. Functionality aside, this hook is beautiful, and makes an amazing addition to any collection.

Susan Bates SmartGlo hooks

These hooks really do glow in the dark!

I tried these hooks out during my 36-hour power outage (courtesy of Hurricane Irene), and although they really glowed, they’re not meant to actually let you crochet in the dark. These hooks would be beneficial if you’re working on very dark yarn or if your eyes need extra light as you work (as so many of us do as we age).

Pluses: They’re fun! They glow… that’s kinda cool.

Pitfalls: They aren’t a replacement for a lamp.

Verdict: Being a youngster with great eyes (I’m actually light-sensitive, so I’m rarely seeking out more lighting) who works at home (where I can turn on a lamp if I want), I probably wouldn’t use these. But, if you work on-the-go in places where the lighting isn’t great (the subway comes to mind), these might give you the boost you need!

Ultimate Crochet Hook Review Wrap-up

Phew! That’s a lot of hooks! There’s even more on the market… there’s too many to get them all!

I really hope you’ve enjoyed all of this information and maybe you’ve spied a new hook you want to try!

I’d love to hear in the comments about your favorite hook! What’s the one you love using now? Are there any you’re inspired to try? Let me know!

Bead stop for stringing, beadweaving, beadwork, or thread crochet

// October 12th, 2011 // Comments Off // Art Jewelry, Beads, & Glass, Blog

During one of my frequent trips to my local beadstore I came across these little tools called Mini Beadbugs.  I assume, judging from the name there is a larger size but I tend to work small so these suit me perfectly.

I have been in the habit for years of simply running the thread through a 2mm crimp bead as a bead stop because the other bead stop tool I had tried (just a little coil on it’s own) I found unwieldy.  I also had problems with tangles because the unprotected coil was catching on everything.  I’ve not had that problem with these and I think it is due to the slick white pads that are on opposite ends of the coil.

crimp bead stopThe beads pictured are 13.0 czech charlottes in eggshell ceylon, gold, and irid green.  These particular beads I purchased at monsterslayer (dot) com which is also an excellent place to go for your raw wire and metal needs.  Good prices (as good as sterling silver prices can be these days, lol) and fast service.  I highly recommend them as a supplier.

mini bead bugsAs you can see, these are simply coils with white plastic finger rests on either side.  The three bumps on the surface do help you to maintain your grip on the bead bug.

Opening the bead bugIt’s simply a matter of squeezing the bead bug open, inserting your thread, and letting go.

Clamped bead bugThese beads aren’t going anywhere.  :D

Since you receive 8 in the package you can have several projects going at once.  The price was $9.99, so a little over a buck a bead stop, I can certainly live with that.

Until next time, have fun creating!

Astrid

How to crochet the 2nd round in amigurumi

// October 11th, 2011 // 1 Comment » // Blog, Crochet

Happy Tip Tuesday! Today, I’m going to talk about how to crochet the second round of your amigurumi!

You see, I spend a lot of time talking about how to start off with the first round. Whether it’s using the magic ring method or the sloppy slip knot… the first round gets all the attention!

And then, Jen (a twitter friend of mine) said she was having trouble on the second round. Of course! We never talk about the second round, even though it’s just as tricky! So, here we go!

For today’s tip, I’m using the pattern shown in help reading crochet patterns for beginners. It starts with 6 stitches for the first round. So, let’s say we’ve completed our first 6 stitches:

Don’t turn your work! You’re going to crochet the second round going around just the way you’ve been going. The hardest part about crocheting the second round is finding the next stitch you should use. I’ve highlighted the next stitch in red:

How did I know it was the next stitch? It has to be! I want to have 6 stitches in my first round, so I count my 6 stitches:

So, now I know what my next stitch is! What is that little weird extra bit that might trick you into being a stitch? The arrow is pointing to that weird piece in this picture:

That’s just a confusing chain left over from the original chain 2. Don’t crochet into it… skip over it and pretend it isn’t there!

Now you know which are your 6 stitches, crochet twice in each one. Now you’ve finished your second round! The rest will be a piece of cake!

Hitting the Knitter’s Jackpot!

// October 10th, 2011 // 1 Comment » // Blog, Crochet, Knitting, Mixed Media, Journals & Papercraft, Needlearts, Stich, Felt

So I was browsing the net during the 90 fifteen minutes of free time I had this weekend and came across an awesome website! Every once in while you unexpectedly hit the jackpot while google-ing!

 I started my internet journey research  trying to find an easy organized way to keep a record of my knitted projects. I actually keep a real paper journal with a page dedicated to all some of my completed knitting projects. It includes photos, project descriptions, who I gave the item to and when, what yarn and/or pattern I used, etc…  Every Each time I actually write out a pattern stitch; sometimes I just list the book in which I found the pattern. I sometimes always take photos of my completed projects, including close ups of the details.
It has been a wonderful record of my knitting progress as well as gifts given so I don’t chance any repeats. It’s also a great reference for patterns and pattern stitches that I loved or hated because of the stitch pattern.

Back to the Jackpot! 

I was hoping to find an online knitting journal instead of my mish mosh original paper journal….. that I could download….if I could find one. And look what I found! ! Not only is there a beautiful layout of a Knitting & Crocheting Journal but you can download six free templates including graph paper! The jackpot right?????

Thanks to Kathryn Ivy and Grace Schnebly (designer) their pages will help you keep organized with all your finished and unfinished projects!
You are only a click away from the jackpot:

http://kathrynivy.com/patterns/extras/knitting-journal/

I hope you enjoy the free downloads as much as I did!  Let me know if you find them useful!

Happy Knitting!

Mary Ann Hoth