Posts Tagged ‘book review’

Author Interview | 12 Questions with Margot Potter

// February 7th, 2013 // Comments Off // Book Reviews

Margot Potter Headshot

There are three things in the world that I love doing: playing outdoors, creating and reading to learn. Today I have the biggest thing to share with you because I had a chance to read one of the BEST books on marketing your business you could ever read. I came away with a new sense of enthusiasm, excitement and passion for action that I hope by the time you’ve read this you’ll be as excited as I am.

I’d like to introduce to you Margot Potter, author of my new favorite marketing book, The Fine Art of Shameless Self Promotion. I had the honor of chatting with her about her creative life, marketing, and few other bits and bobs. So with no further adieu, I give you the interview with Margot Potter.

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Martiel: Margot, please introduce yourself?

Margot: Hi!  My name is Margot Potter.  I’m known throughout the Craftiverse as The Impatient Crafter and sometimes Madge.  I’m a TV host, author, designer and entrepreneur, you can find me at my website www.margotpotter.com and my blogs www.theimpatientcrafter.com and www.craft-you.com. .

Martiel: What does “being creative” mean to you?

Margot: It means being able to approach everything in life with a sense of adventure, wonder and great curiosity.  It means taking the road less traveled in everything you do, being willing to color outside of the lines and see things from many perspectives.  Creativity isn’t just about making art; it’s about making a fascinating life.  Creative people approach everything as an adventure..

Martiel: Can you talk about the moment when you realized that creating was something you absolutely had to do?

Margot: I honestly can’t think about a time when I was not creative.  I grew up surrounded by creative people who came from generations of creative people before them.  It’s in my blood. Even as a small child, I was always busy doing things, making things, singing my own little songs, writing my own little plays.  Creativity is an inherent part of who I am.

Martiel: What kinds of creative rituals or routines do you have?

Margot: I wake up every morning and spend some time thinking.  Then I get up, pour some coffee, chat with my hubby and head down to my studio to blog and do my social networking. From there I pretty much make it up as I go along and it’s never really the same.  I just follow my intuition, unless there’s a deadline in which case, I get things done!

Margot Potter_The Shameless Art of Self Promo_Book Front

 

Martiel: What medium would you like to learn but haven’t yet?

Margot: There are so many, really.  I’d love to learn more about photography and photo editing using Photoshop.  I’ve got a ukulele I’d like to learn how to play.  I’d love to work on my crochet skills.  I want to learn more bench jewelry skills. I’d like to play with three dimensional printing.  I’m endlessly curious!

Martiel: What is the first art project you can remember?

Margot: Why do you think it is relevant in your memory?  Hmmm…that’s a good question.  I have memories of making art from as far back as I can remember.  The first really significant self guided project was a series of hand quilted small soft sculptures I made when I was 14 years old.  I made them while watching the mini-series Roots.  I entered them into a local art show and they won awards.  I would suppose this is relevant because it was the first time I realized that I really might be on to something!

Martiel: What inspired your book, “The Fine Art of Shameless Self Promotion?”

Margot: I have been sharing my journey from the start on my blogs and about four years ago I took down several years of posts from The Impatient Blogger and stored them on my hard drive.  I started thinking about the idea of making a series of LifeCrafting books, so things were extracted and put into that folder and new ideas were formed, edited and fine tuned.  This is the first one to make it to an e-book.  Mostly because I got so many emails from people asking for career advice and I decided the best way to provide it was through a book.  This is part of my Craft. You. brand and the www.craft-you.com site, which is a new direction for me professionally and one I’m super excited about! 

Martiel: Your book is clearly inspirational, I felt that way as I read each page. If you could pick a lesson (aside from being inspired to go out and promote their brand) from your book that you’d like your audience to take away with them, what would it be and why? 

Margot: What I really hope people take away from the book is that you can do and be anything you can imagine if you’re clear in your intention and willing to work hard to make it real.  I want to share my message of actively participating in your success, because I think it’s important.  A lot of these self help focused concepts are really passive; this is a more active, interactive approach.  I want people to know that your message matters and you should not feel the least bit weird about sharing it.  We all have something of value to share with the world.  The more we shine, the more we give other people permission to do the same.

Martiel: Everyone feels like their efforts are going nowhere sometimes. In reality, sometimes they are and sometimes they aren’t. When you are feeling overwhelmed with your promotional activities, how do you decompress, reassess and move forward? 

Margot: I step away and reboot, I meditate, I drink a glass of wine, I listen to music, I go for a walk, I snuggle my loved ones, I pat my puppies,  I shift my perspective.  I remember what’s real and what’s important.  Success isn’t about awards, accolades, money and stuff; it’s about loving and being loved in return.  The rest is just what we do to pass the time, so we might as well do something interesting.  And if things really aren’t working, sometimes you have to be painfully honest and be willing to walk away or start over.

Martiel: In your book you discuss the myth of competition – I couldn’t agree with you more! What advise can you give our audience about how to stop competing and start creating?

Margot: Just that.  Stop looking around and comparing yourself to everyone else.  Stop worrying about what they’re doing or what they have and put your energy instead into fine tuning who you are, what you have to offer and why that matters.  I recommend spending less time on Facebook, Pinterest, Twitter, and more time doing tangible, concrete things!  We’re becoming too voyeuristic and disconnected and our sense of reality is skewed by virtual reality.  Sometimes the best thing we can do to counteract that is to unplug and plug into real three dimensional life!

Martiel: How do you think your creativity and artistic ability has shaped your book’s message?

Margot: I think my creativity is the message in everything I do and that shines through in all of my creations.  Crafting was an accidental career; writing and performing are my true loves.  But fully embracing the fact that we are all crafting our lives was born from spending the past 15 years making and sharing that passion with others.  When you realize it isn’t the thing you make, but the act of creating that has the magic, everything you do becomes infused with that energy.

Martiel: If you could be any kind of art apparatus, what would you be and why?

Margot: Hmmm…I can’t really imagine myself as an apparatus!  But I do like to think of myself as an instrument of love.  I like to think we are all instruments of love.  It doesn’t matter what form that takes, just that it takes form.  It’s powerful stuff to allow that creative force to come through us and inspire others.  Sometimes it’s a big box of crayons, a palette of paints, a blank page of sheet music, a saxophone, a clear voice ringing through the darkness, a pen taken to paper, or fingers dancing across a keyboard, but when we’re creating, we’re channeling something bigger and more powerful than any of us individually.  I’d like to think I’m a cog in that cosmic creative wheel.  I suppose if I were pressed to pick an apparatus to be, it would probably be lovely to be a blank canvas, fully open to the whimsy of an artist’s imagination.  Yes.

 Interested in purchasing Margot’s book?

Use the code CHAWINTER for 20% off of the e-book cover price.  Click here to purchase.

 

Margot has also generously offered some FREEBIES! Check them out here!

 

Visit Margot online and see what she is up to, read her blog or just say hello.

www.margotpotter.com | Twitter @margotpotter | Pinterest  | YouTubeGoogle Plus: +margotpotter | Facebook

Blogs

www.theimpatientcrafter.com | www.craft-you.com | www.tumblr.com/blog/margotpotter

Author Interview | 12 Questions with Susan Stein

// January 19th, 2013 // Comments Off // Book Reviews

For over 35 years Susan Stein has been crafting , creating and sharing the art of designing with fabric. I had a chance to sit down with Susanand talk with her about her creative life, how she manages all her projects and her amazing book, The Complete Fabric Artist’s Workshop.

Here is what she had to say when she was asked 12 Questions.

 

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Martiel: Susan, please introduce yourself?

Susan: Quilting and fiber art have been my passion since 1977, after doing lots of crafts like knitting, off-loom weaving, crewel embroidery, and cross stitch.  Along with two friends, I opened a quilt shop in 1980, and started to teach and write for magazines.  After that store closed, I was asked to design and construct projects for four Singer Sewing Library books on quilting and that started a long career in writing.  Seven books later, I’ve covered EZ cutting tools, Double Wedding Ring quilts, mixed media, simple projects,  textile art, and art quilting.  Teaching has been a favorite occupation, both locally and in ten other states.  In 1995 I opened a contemporary quilt and fibers store which allowed me to experiment with many new techniques and bounce ideas around with my students.

 

Martiel: What does “being creative” mean to you?

Susan: Being creative means saying “what if” a lot.  People ask where all my ideas come from and it is simply a matter of being in the studio every day and working at something.  Inspiration doesn’t come to me in dreams or by working in a sketchbook but when I pull out my fabric stash or look at books, websites, and magazines.  A huge design wall allows me to hang up all the materials and embellishments that might contribute to a composition and play with them.  Creativity definitely depends on having supplies on hand, whether hand-dyed fabric, screen printed blocks, photo transferred blocks, or trims.  Some things can be painted or stitched along the way but a stash is essential.

 

 

Martiel: Can you talk about the moment when you realized that creating was something you absolutely had to do?

Susan: My mother taught me to sew, embroider, and knit so handwork was always a part of my life.  As a young mother, creative activities were essential for balance in life, and later helped pay the college tuition!

 

Martiel: What kinds of creative rituals or routines do you have?

Susan: Creative rituals are simple- bring breakfast down to the studio, check the e-mail, and then dig in to whatever project is on tap for that day.  In retirement, I enjoy doing challenges with groups of friends, participating in a study group on the practice and business of art, teaching locally, and making artwork for exhibit.

 

Martiel: What medium would you like to learn but haven’t yet?

Susan: At this stage in my life, I have tried lots of things from pottery to jewelry making, and further developing the ones dealing with fiber is of interest.  Photo transfer onto fabric has fascinated me for several years and I have done a lot of it but I would like to integrate it more fully into my collages.

 

Martiel: What is the first art project you can remember? Why do you think it is relevant in your memory?

Susan: One of my first projects was the making of doll clothes, so that ties in closely with creating fabric projects.  I am happy that entertainment when I was young didn’t involve electronics but entailed making things, writing kid newsletters, and exploring parks and undeveloped land.

 

 

Martiel: What inspired your book, “The Complete Fabric Artist’s Workshop?”

Susan: The Complete Fabric Artist’s Workshop is a compilation of two earlier books: Fabric Art Workshop and Fabric Art Projects.  When fabric painting, embellishing, and mixed media fabric techniques started to appear I found it extremely fun to experiment.  As I taught the results of my experiments in classes and saw all the possibilities for creative variations, it seemed natural to put the techniques into a book and then show readers some simple projects to display the techniques.  As a shop owner, I was always aware of beginners who may not have done much sewing before, and who were sometimes left behind when magazines gave abbreviated directions for their projects.  As a teacher who often is invited to small towns where classes are not usually available, the books introduce techniques to people who might not otherwise be exposed.  It is my intention to make the books as self-explanatory as possible.

 

Martiel: What about fabric is significant for you?

Susan: My first store had many small prints because fabric manufacturers weren’t geared supplying to the quilt market yet but when I closed my second shop in 2009, fabric choices had exploded to include prints of all types, visual textures by the hundreds, batiks of every description, and silks of many textures.  I amassed piles of gorgeous materials.  Now I buy mostly white fabric so I can dye or paint a one-of-a-kind piece to include in an art quilt.  I also buy from many talented dyers at shows.  Fabric is my palette and the necessary starting point for any composition.  I dabble with using paper and even metal once in a while but fabric, with its tactile qualities and gorgeous visual attributes, will always be my medium.

 

Martiel: What projects in your book would be good for beginners? Are there any tips you can share to help beginners with these projects?

Susan: All of the projects in the book are geared for beginners, as I mentioned earlier.  Most things don’t take specialized equipment and are inexpensive to try.  I always encourage friends to get together to try techniques because the enthusiasm and generation of ideas flow when two or three people bounce thoughts off each other.

 

Martiel: In your book you have some Native American designs, what inspired these?

Susan: Native American designs started to appear in my work after I visited the Southwest for the first time.  I am fascinated by the culture and art work of the region, especially the simplicity and spirituality of the designs.

 

 

Martiel: Your “Inkjet Transparency to Book Cover” project is such a fun idea; however I read that you cannot put this on something that will be washed. Do you know of a technique like this where you can put an image on fabric in this way and set the image so it can be washed (not using printable fabric or something like that)? I think this would be a great idea for a fabric baby book.

Susan: Inkjet transparency transfer can be gently washed by hand because gel medium is very impervious to water.  Another great way to transfer photographs (as in a baby quilt) is to use an inkjet printer with Transfer Artist Paper (TAP) by C&T Publishing.  The photos can be printed onto the polymer-coated paper and then ironed onto any light-colored fabric.  The product does not make the fabric too stiff, it is durable, and it washes.  The only caution is that the image needs to be reversed.

 

Martiel: If you could be any natural dye, what would you come from and why?

Susan: If I were a natural dye, I would be pieces of metal that with a little vinegar and water, would make lovely reddish-brown patterns on cloth.

 

You can visit Susan on her website at www.colorfulquilts.com

 

To purchase Susan’s book, check out the Things Crafty Products We Love page!

 

 

Magazine Review: Bead Style November 2012 Issue

// December 21st, 2012 // Comments Off // Book Reviews

To be honest I am not a Beader or Jewelry Maker.  I know very little about this art form.  So I opened the magazine with very little prior knowledge of what I was about to read.  I soon discovered something.  I didn’t need years of extensive knowledge to understand or do any of the projects in this magazine.  It is written in a very easy to understand manner and includes a glossary that contains the specific terms that are used.

I was also impressed by the amount of projects that were available in it.  To my count there were almost 20.  All of the projects were laid out for you step by step with pictures as visual aids.  This made it easy for even a beginner, like myself, to be ale to tackle the projects and techniques.

The above picture is a bracelet and pendant I made inspired by one of the projects in the magazine that included the use of polymer clay.  I didn’t have all of the supplies to the project exactly the way it was shown, but I certainly had fun making it and will be proud to wear it.

I must say that I would definitely buy this magazine the next time I see it in the store, instead of passing it over because I’m not a “Beader”.  If you are looking for some inspiration in an easy to read format, this is the magazine for you.  Even if you have never made jewelry in the past.

Book Review – ‘How to Make Books’ by Esther K Smith

// November 26th, 2012 // Comments Off // Art Jewelry, Beads, & Glass, Blog, Book Reviews, Mixed Media, Journals & Papercraft

For anyone wanting to give making handmade books a go, I really recommend ‘How to Make Books’ by Esther K. Smith.

How to Make Books by Esther K Smith

For someone like me who loves paper crafts, handmade books can be a great way to show off your skills, or keep all your paper treasures in one place. They also make lovely gifts and keepsakes.

I discovered ‘How to Make Books’ whilst at university and have used many of the projects inside. I now regularly revisit this book when looking for inspiration for gifts for family and friends, or on a rainy day.

This book guides you from the very basic instant book for a beginner, up to much more complex projects making some rather exquisite handmade books. It teaches various binding and folding techniques, along with inspiration for how each book may be decorated or used.  The instructions are extremely easy to follow, with step by step illustrations and lovely images of the author’s own examples.

Here’s my own example of the Accordion Postcard Album (found on page 42) that I created as a final outcome for my final major project, whilst studying BA Graphic Design. I made these three books as a series to store and record postcard size images of altered books I had made as part of the same project, (my tutors loved them!)

My own postcard books.

Personally, I think this book is a brilliant investment for anyone wanting to try their hand at making books. Find it online, along with some other fun and inspiring books by the same author. (I also follow Esther K Smith on her Facebook page, she posts some really lovely, crafty things!)

Book Review: Drawing Comics Lab by Robyn Chapman

// November 10th, 2012 // Comments Off // Book Reviews

Drawing Comics Lab by Robyn Chapman is the latest book in Quarry Books Lab Series.  Like the other books in the series is is set up very much like a text book, into units that each cover specific topics.  Each unit contains lessons, called Labs, with practice exercises.  The lessons are written in an easy to understand manner with lots of visuals to guide you along.

This book concentrates on the medium that is comics.  I walks you through everything you need to get started from character building  to “Living the Dream” and everything in between.   I highly recommend this book for beginners or anyone who is remotely interested in this medium.  This book is a great starting point.

If you want to buy this book you can find it here.

Book Review “The Right-Brain Business Plan”

// November 5th, 2012 // 1 Comment » // Book Reviews

I have had the (mis?)fortunate opportunity to write a few business plans over the course of the years, some have been praised greatly by people in the business world.  When I was asked to review Jennifer Lee’s book “The Right-Brain Business Plan” I was a little skeptical.  My previous experience with writing business plans has been far from enjoyable.  I was pleasantly surprised by the process created in Jennifer’s book and decided to work through a business plan with the help of the tools provided in “The Right Brain Business Plan” as well as the support provided on the internet.

Here you can see side-by-side the business plans I had developed using a traditional business minded method, and the more creative process Jennifer provides.

Which looks more fun to YOU??!?  I certainly enjoyed the process developed by Jennifer, and it does cause you to consider all of the factors that go into a business plan.

One of the most important aspects of developing a business plan is the research.  You need to think about what your business is, why you are going into business, who you are trying to reach, how you are going to reach them, and what you are going to present to your customer.  Before you put pen to paper (or glue to paper in this model) you need to think about all of these things.  And not just think, you need to REALLY think deeply about all of these questions.

This book helps you do this in a way that does not involve spreadsheets, hours of library searches and industry indices.  Here are a few more side by side comparisons of the two plans.

When I was received this book and scanned it I was skeptical as to how cutting out pictures from a magazine and doodling would really develop a well thought out business plan but I gave it a try anyway.

 

I have to say I am glad I did.  The process presented in this book uses very tangible and creative methods to force a creative brain to think of all of the logistical aspects of starting a business.  You are led to really develop your who, what, why, etc of a business plan in a way that does not feel as much like the work and drudgery I associate with a traditional business development.

The only draw back I see is the possibility that you may not have a tight enough plan in the event you need to seek financial support in the realm of loans and/or investors.  Jennifer does have a chapter and insight on transitioning your Right-Brain Business plan into a format more appropriate for Left-Brain thinkers but I did not investigate that side of things too thoroughly.  I would advise ANYONE seeking to create a business where you have financial backing from sources other than yourself to seek guidance from several sources, not one single book.

I would definitely recommend this book for someone who is looking to start a business centered around their creativity. It forces you really think about why you are trying to develop your craft into an income, and who your craft is best suited toward.  Using this book artists will have a much better foundation and a clearer guide to success.

You can purchase Jennifer’s book from   http://craftylink.com/page/craft-products-books.

Book Review: Surface Treatment Workshop: Explore 45 Mixed Media Techniques by: Darlene Olivia McElroy & Sandra Duran Wilson

// October 23rd, 2012 // Comments Off // Book Reviews, Uncategorized

Surface Treatment Workshop is a fun book chock-full of techniques. It is a great read for beginners to use as a learning tool. You are walked step by step through each technique in an easy to understand manner which includes lots of high quality pictures. Every technique also includes am materials and tools list, a list of surfaces you can use the technique on and helpful tips for getting great results. Each technique is also followed by a page of variations on the technique to show you how you can get different results using the same technique.

I also think that this would be a great book for those who are more experienced in Mixed Media Art as well. While some of the techniques are pretty basic such as stamping and stenciling, there are some not so well known techniques in there also. For instance, did you know that dishwasher rinse aid could be used as a resist medium? At the end of the book there is a section of Inspirational Projects to help get you going.

I highly recommend Surface Treatment Workshop for everyone. Whether you want to learn something new or just need a bit of a refresher, this is the book for you. If you would like to check out this book you can find it here.

Interview with Stacey Trock

// October 10th, 2012 // Comments Off // Blog, Book Reviews, Crochet, Knitting, Needlearts, Stich, Felt, Tuesday Shmoozeday

Do you love crochet? Do you love stuffed animals?

Embrace your inner child and check out Crocheted Softies by Stacey Trock.

 

Yesterday I had the opportunity to talk with Stacey live during my show 12 Questions with Martiel about her book, creativity and life as an artist. You can watch the entire video anytime online, just click to go!

 Stacey was also gracious to share some free stuff with us during the show. Visit her site for all the goodies and explore on your own or check out the list below for an itemized list.

Free Downloads from Stacey Trock

Email Stacey with your Pattern Questions

Visit Stacey’s Website, http://www.freshstitches.com/

Like the critters from the book, try these out!

 

I’d like to thank Stacey for taking the time to visit with me during this live interview. We had a great time and I hope you enjoy learning about her book and what makes her stay creative.

See you next month for another author interview!

Martiel~

 

 

Coming Next Month!

Join me for my show 12 Questions with Martiel during Tuesday Schmoozeday on Nov. 13, 2012 for an interview with author Lisa Solomon of “Knot, Thread, Stitch”. We are going to have an interview and a DEMO.

Book Review: Knot, Thread, Stitch by Lisa Solomon

// August 2nd, 2012 // Comments Off // Book Reviews

I can remember my grandmother teaching me how to embroider when I was about 9 or 10.  She sparked a flame inside of me and I embroidered everything that I could get my hands on.  As I got older and discovered other mediums, the embroidering slowed and eventually I stopped completely.  That is, until I read this book.

I must say that reading this book was a total pleasure.  It was less like an instruction/tutorial book and more like you were having a conversation with the author.  Which is something that really impressed me.

The book started out with a chapter where the author explains everything you need to know about everything you need.  I, personally, didn’t know that there were so many different types of embroidery threads or that many ways to transfer a pattern to fabric.  Then there is a huge section of tutorials.  One of the things she said in this section, that I loved, was that she rarely did a project from a craft book exactly the way the authors suggest.  She said that she almost always puts her own spin on them and finds ways to combine the techniques into her own work.

In the section of tutorials there were two projects done for each idea.  One was done by the author and the other by an artist.  I love how she used this to illustrate how two different people put their own touch on the same idea.  The projects are explained in a very easy to understand manner.  The reader is not only taken through the instructions step by step in words but also through pictures.  Which is helpful for someone like me who is a visual learner.  After the section of projects there is a section where the author shows you the work of some of her favorite artists who use embroidery in their work.  It was like an extra treat to inspire the reader to challenge themselves in this medium.

At the end of the book the author provides templates for all of the projects and a glossary that illustrates all of the stitches used in the book.  This was great for someone who is a bit rusty, like me.

When I was done reading Knot, Thread, Stitch I was inspired to immediately find ways to use this medium in my work.  I recommend this book for all crafters not just those that primarily do fabric art.

If you are interested in read this book you can check it out here.

Here is one example of one way I can use embroidery in my work.

Urban Edge (book review) with some reflections on the changing yarn industry

// June 7th, 2012 // Comments Off // Blog, Book Reviews, Crochet

Every once in a while, we are lucky enough to witness a small revolution going on in the world. And I think I just saw one land on my desk.

The Traditional Yarn-World Divide

If you were to ask me, “What do you think of when you hear ‘Leisure Arts’?”… I would say, “Books about: crocheting 24 hour baby afghans, learning to crochet in 10 minutes and making doilies.” (a quick glance at their website confirms my associations). Leisure Arts is known as the publishing company that makes the booklets that appear in Big Box craft stores.

Let’s jet back to the year 2002. This publishing philosophy came to be as a reflection of a more general divide between Big Box stores (Jo-Ann’s, Hobby Lobby, Michaels) and LYSs (Local Yarn Stores): Big Box stores carried cheap (i.e. icky) yarns and LYSs carried high-end, luxury yarns.

Fast forward a decade to 2012… the times, they are a-changin’! The gulf between Big Box stores and LYSs is narrowing. Lion Brand (a leader in the Big Box yarn-world) now produces the LB Collection: a line of fine yarns only available online and in it’s LYS-like Studio Store. Debbie Stoller is just one big-name designer who has put her name on a line of reasonably priced, high-quality yarn (Stitch Nation) available at Big Box Stores. And on the other hand, luxury brands have developed reasonably-priced acrylic and machine washable yarns that match the high standards expected by LYS customers and owners (think Berroco Comfort and Cascade Superwash).

What does this change mean?

This slow fuzz-i-fication (yes, that’s a technical term) of the boundaries between Big Box stores and LYSs shows us one thing: customers are no longer satisfied with scratchy yarn, frumpy clothing patterns and limited choices.

Not everyone in the US is a quick car trip away from an LYS (For instance, my mom lives in Kansas and is more than an hour away from an LYS). But, nowadays, even folks out in farmland can hop on the internet, and drool over fabulous pattern on Ravelry and yearn for oh-so-soft merino. The increased awareness of amazing patterns & yarns has lead to a boom in online LYSs (like WEBS and Jimmy Beans Wool), but nothing can replace touching the yarn and seeing it in person. So, Big Box stores have incentive to make yarns and books available to this new breed of demanding customer.

And so, back to Leisure Arts. To be a successful, on-trend publishing company… they can no longer simply publish booklets for Granny Square blankets. They’ve gotta step it up. It seems like they’ve heard the call, and published Urban Edge.

Book Review: Urban Edge

Urban Edge (if you haven’t already gathered) is published by Leisure Arts… and is a fabulous deviation from the company’s stereotype.

The book is written by the Shannon Mullet-Bowlsby from ShibaGuyz, and features patterns for crocheted garments inspired by urban life. The designs are innovative, and the book includes patterns for a hoodie, a waterfall cardigan (I’m seeing those everywhere!) and a saucy cocktail dress:

The stitch patterns included are also guaranteed to keep a crocheter’s interest: cables, amazingly interesting stitch patterns (did you see the cover garment?) and fun colorwork.

Why this book is a Revolution

As a crocheter, I’ve felt particularly entrenched in the divide I discussed at the beginning of this post. There’s a stereotype that crocheters only like cheap yarn and they only shop in Big Box stores. To counter this perception, I’ve met crocheters that would never dare step foot in Jo-Ann’s, for fear they would be viewed as perpetuating this awful perception.

But there’s a beautiful middle ground that accepts the roles of both types of shops (and yarns) in the world. I was delighted to see that Shannon selected yarns from both sides of the divide when making the samples in this book. You’ll see garments crocheted from Malabrigo and Takhi, but also yarns made by Caron. It’s about finding the right yarn that works for your project.

As a designer, I couldn’t agree with Shannon’s message more: he has created beautiful designs, and he wants to help you make them! It doesn’t matter where you live! He wants you to make a beautiful garment that you’ll adore, using the yarns available to you.

Rock on, Shannon!

Features of the book

The designs are beautiful. There are a few other features that sets this book apart:

  • Each design is sized from small to 3x.
  • Patterns are provided in charts (when appropriate) as well as written instructions.
  • Contains detailed descriptions of stitches you’ll be using in the book.
  • Detailed instructions for novel finishing techniques.

You ready to get crocheting?

Urban Edge is a fabulous book with tremendously inventive crochet designs. While there are patterns accessible to all skill levels, those with a daring spirit will be kept on their toes with adventurous stitch patterns in some garments.

Kudos to Shannon. And kudos to Leisure Arts. Great job.